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Buzzwords in Sonography

Narrative with Quiz

Sonographic Imaging

In diagnostic medical sonography, short pulses of ultrasound are sent into the body by a device called a transducer (Fig 1).


Figure 1. Sonographic transducers.


Each pulse travels down a straight path, interacting with the biological structures and producing a stream of echoes that is received and displayed as a straight line of dots on the sonographic display. This line of dots is called a scan line. Approximately 100 to 250 scan lines combine to yield a gray-scale presentation of anatomy on the display of a sonographic instrument (Fig. 2).


Figure 2. Sonographic instrument.


An image like that in Figure 3 can be generated in a fraction of a second. Thus, many images (called frames) can be generated per second, yielding real-time sonography capable of following motion as it occurs. This motion can be the motion of the tissue (e.g. pulsating vessels walls) or the motion of the moving scan plane as the sonographer manually slides the transducer over the surface of the patient.


Figure 3. Two-dimensional, rectangular image of the carotid bifurcation.


Echo arrival time is used to determine the proper location in depth of each echo on each scan line. Echo strength is indicated by its brightness (gray level).

Sonographic displays are of two types. The rectangular image in Fig. 3 is good for superficial imaging with its wide field of view up close. The pie-slice-shaped, sector image is good for deep imaging, providing a wide field of view deep while requiring a small contact area on the surface (Fig. 4). Several 2D images can be acquired and combined into a 3D volume (Fig. 5). This stored volume can then be presented in multiple ways. Figure 6 gives an example of surface rendering.


Figure 4. Two dimensional, sector-format abdominal image.

Figure 5. 2D images combining into a 3D volume image.

Figure 6. Fetal volume image.


Sonographic Instruments

Sonographic instruments are organized into four primary parts (Fig. 7).


Figure 7. Organization of a sonographic instrument.


The transducer generates the ultrasound pulses and receives the returning echo streams that form the scan lines of each image. The transducer (T) is connected to the beam former. The beam former generates the electric voltage pulses that drive the transducer. The returning echo voltages from the transducer enter the beam former, are amplified and converted to digital form for processing in the signal processor. The signal processor converts the echo voltages to a simpler (amplitude) form and sends them on to the image processor where the scan lines form the image and are stored in image memory. Then the image is sent from memory to the flat-panel display for viewing. The functions of the beam former, signal processor and image processor are listed in Tables 1, 2 and 3. Details are found in Reference 1.

  • Generate voltages that drive the transducer
  • Determine PRF, coding, frequency, and intensity
  • Scan, focus, and apodize the transmitted beam
  • Amplify the returning echo voltages
  • Compensate for attenuation
  • Digitize the echo voltage stream
  • Direct, focus, and apodize the reception beam

Table 1. Functions of the beam former.

  • Bandpass Filtering
  • Amplitude Detection (RF to video)
  • Compression (dynamic range reduction)

Table 2. Functions of the signal processor.

  • Scan conversion
  • Preprocessing
    • Persistence
    • Panoramic imaging
    • Spatial compounding
    • 3D processing
  • Storing Image Frames
    • Cine loop
  • Postprocessing
    • Gray Scale
    • Color Scale
  • Digital to analog conversion

Table 3. Functions of the image processor.

Sonographic Buzzwords

Discussed now are several relatively recent and advanced functions (features) of contemporary sonographic technology as listed Table 4.

  • Coded Excitation
  • Harmonic Imaging
  • Panoramic Imaging
  • Spatial Compounding
  • Elastography
  • Volume Imaging

Table 4. Features of contemporary sonographic technology.

Coded Excitation

In conventional pulse-echo sonography, the beam former drives the transducer with a single-cycle voltage of the appropriate frequency (that desired for the generated ultrasound pulse). With coded excitation, a more complicated driving regime is used. This approach enables functions such as multiple transmission foci, separation of harmonic echo bandwidth from the transmitted pulse bandwidth, increased penetration, reduction of speckle with improved contrast resolution, and gray-scale imaging of blood flow (called B-flow). In straightforward pulsing, the pulser drives the transducer through the pulse delays with one voltage pulse per scan line. In coded excitation, ensembles of pulses drive the transducer to generate a single scan line. For example, instead of a single pulse, a series (such as three pulses, followed by a missing pulse [a gap], followed by two pulses, followed by another gap, followed by two pulses) could be used. Other examples are shown in Figure 8. A decoder in the receiving portion of the beam former recognizes and disassembles the coded sequence in the returning echoes and stacks up the individual pulses in the sequence to make a short, high-intensity echo out of them. The result is equivalent to having a much higher-intensity driving pulse or a much more sensitive receiving system. Thus for example in the case of blood flow, weak echoes from blood are imaged and flow can be seen in gray scale along with the much stronger tissue echoes (Figure 9).


Figure 8A. This sequence includes a pulse, two gaps, and two final pulses.


Figure 8B. This sequence includes two pulses, a gap, and one pulse followed by two inverted pulses.


Figure 8. Examples of coded pulse sequences. Each pulse consists of a cycle of pressure variation.


Figure 9. Blood flow imaging, in which weak echoes from flowing blood are imaged along with much stronger tissue echoes. In this example, blood flowing past an ulceration is imaged.


Coded excitation has been applied in radar for decades. A coded pulse is one that has internal amplitude, frequency, or phase modulation used for pulse compression. Pulse compression is the conversion, using a matched filter, of a relatively long coded pulse to one of short time duration, excellent resolution, and equivalent high intensity and sensitivity. A matched filter maximizes the signal-to-noise ratio of the returning signal. The longer the coded pulse, the higher the signal-to-noise ratio in matched-filter implementations will be. The intra-pulse coding is chosen to attain adequate axial resolution, and the pulse duration is chosen to achieve the desired sensitivity. The matched-filter decoding process can be thought of as a sliding correlation of the parts of the coded pulse with the matched filter. The result of this process is, in effect, a shorter and stronger pulse (Figure 10) yielding good resolution and sensitivity while conforming to transmitted pulse amplitude and intensity limitations imposed by technologic and safety considerations. Such coding schemes are called Barker codes. An even better match can be achieved by Golay codes that use pairs of transmitted pulses with the second being a bipolar sequence in which the latter portion of the pulse is the inverse of the first (Figure 10, J).

Figure 10. Matched filter decoding of coded pulse.


Figure 10A. Correlation (*) of the coded pulse with the matched filter yields a result that has a peak amplitude 4 times (16 times for intensity) that for a comparable uncoded pulse. This is accomplished by sliding the coded pulse in time over the matched filter characteristic and multiplying the two.

Figure 10B. Multiplying the first part of the coded pulse (-1) with the first part of the matched filter (+1) yields the result of -1, seen to the right of the equals sign.

Figure 10C. With the coded pulse slid more to the right (two portions overlap) there are two multiplications (-1 × +1 and +1 × +1). Summing the results yields 0.

Figure 10D. Sliding further to the right yields three multiplications the sum of which is +1.

Figure 10E. The sum of four multiplications [(-1) × (-1), 1 × 1, 1 × 1, 1 × 1] is 4.

Figure 10F. The next results are +1, 0, and -1. To make the result even stronger and sharper, a pair of codes (called a Golay code pair) can be used.

Figure 10G. The next results are +1, 0, and -1. To make the result even stronger and sharper, a pair of codes (called a Golay code pair) can be used.

Figure 10H. The next results are +1, 0, and -1. To make the result even stronger and sharper, a pair of codes (called a Golay code pair) can be used.

Figure 10I. The appropriate coded sequence to use with A is shown in I.

Figure 10J. When the two results (A and I) are summed, there is a sharp, strong result (amplitude 8 compared with the individual amplitudes of 1 in the coded sequence and the amplitude of 4 in the result in A).


Harmonic Imaging

The dependence of propagation speed on pressure causes strong sound (pressure) waves to change shape as they travel (Figure 11). The reason for this is that the higher-pressure portions of the wave travel faster than the lower-pressure portions. This causes a wave that originally is shaped in a smooth curve form (called sinusoidal; illustrated in Figure 11, A) to progress toward a non-sinusoidal shape (Figure 11, C). Propagation in which speed depends on pressure and the wave shape changes is called


Figure 11A. Higher-pressure portions of the wave travel faster than the lower-pressure portions.

Figure 11B. Thus the wave changes shape as it travels. This change from the initial sinusoidal shape introduces harmonics that are even and odd multiples of the fundamental frequency.

Figure 11C. Thus the wave changes shape as it travels. This change from the initial sinusoidal shape introduces harmonics that are even and odd multiples of the fundamental frequency.


Figure 11. In nonlinear propagation, propagation speed depends on pressure.

nonlinear propagation. A continuous (not pulsed) sinusoidal waveform is characterized by a single frequency (equal to the number of cycles per second). Any other wave shape contains additional frequencies that are even and odd multiples of the original frequency. The original frequency is called the fundamental frequency. The even and odd multiples are called even and odd harmonics, respectively. A frequency analysis of the wave in Figure 11, A, would yield a single (fundamental) frequency such as 2 MHz. Parts B and C would reveal, in addition to the fundamental frequency, harmonics such as 4, 6, and 8 MHz. As the shape becomes less sinusoidal, the harmonics become stronger. Therefore they are stronger in part C than in part B. Using harmonic frequency echoes improves the quality of sonographic images.
A second type of filtering occurs with harmonic imaging, in which the fundamental (transmitted) frequency is filtered out and the second harmonic frequency echoes are passed. At this point the bandpass filter is centered at the second harmonic frequency with an appropriate bandwidth to include the bandwidth of the second harmonic echo signal (Figure 12, A to D). Harmonic imaging improves the image quality in three primary ways (Figure 12, E and F):

  • The primary beam is much narrower, improving lateral resolution, because harmonics are generated only in the highest-intensity portion of the beam.
  • Grating lobe artifacts are eliminated because these extra beams are not sufficiently strong to generate the harmonics.
  • Because the harmonic beam is generated at a depth beyond where some of the artifactual problems occur (e.g., superficial reverberation), the image degradation that they cause is reduced or eliminated.


Figure 12A. Harmonic imaging.Fundamental and second-harmonic echo bandwidths are shown. The beam former and transducer must pass both to generate the ultrasound beam and to accomplish harmonic imaging.

Figure 12B. For harmonic imaging the bandpass filter eliminates the fundamental frequency echoes and passes the second harmonic echoes.

Figure 12C. The harmonic image

Figure 12D. The harmonic image (C) has improved quality compared with the fundamental image (D)

Figure 12E. The harmonic beam is much narrower than the fundamental.

Figure 12F. Reverberations are reduced with the harmonic beam.


Because the fundamental and second harmonic bandwidths must fit within the overall transducer bandwidth (Figure 13, A), they must be reasonably narrow. This means that the corresponding ultrasound pulses must be somewhat longer than otherwise, causing some degradation in axial resolution. A solution to this degradation in image quality is to use pulse inversion, a technique that uses two pulses per scan line rather than one. The second pulse is the inverse of the first. The echo sequences from the two pulses (Figure 13, B) are added together to yield the resulting scan line. Fundamental frequency echoes cancel (Figure 13, C), and the second harmonic echoes remain (Figure 13, D). This technique allows broad-bandwidth, short pulses to be used so that detail resolution is not degraded (Figure 13, E). Instead, frame rate is reduced, with some degradation of temporal resolution.


Figure 13A. In harmonic imaging two bandwidths (fundamental and second harmonic) must fit within the transducer bandwidth and not overlap so that the fundamental frequency echoes can be eliminated from the second harmonic image.

Figure 13B. In pulse inversion harmonic imaging, a normal pulse of ultrasound is followed by an inverted pulse.

Figure 13C. Two series of echoes return from these two pulses (only one echo is shown for each pulse in this drawing). When the echoes from the two pulses are summed, the fundamental frequency echoes cancel.

Figure 13D. Second harmonic echoes are not canceled

Figure 13E. Pre- and post-injection abdominal images using a contrast agent and pulse inversion harmonic imaging


Panoramic Imaging

Panoramic imaging provides a way to produce an image that has a wider field of view than what is available on an individual frame from a transducer. Panoramic imaging is achieved by manually sliding the transducer in a direction parallel to the scan plane, thus extending the scan plane. At the same time, the old echo information from previous frames is retained while the new echoes are added to the image in the direction in which the scan plane is moving. The result is a larger field of view allowing presentation of large organs and regions of anatomy on one image (Figure 14). The addition of the new echoes to the existing image as the transducer is moved requires their proper location relative to the existing image. This is accomplished by correlating locations of echoes common to adjacent frames (i.e., the overlap) so that the new information on the new frame is located properly (Figure 14, F and G).


Figure 14A-E. Examples of panoramic imaging. Panoramic imaging is accomplished by adding new information to one end of an image, spatially correlating the overlapping old echoes to properly locate the new ones.

Figure 14F. Two sequential frames are shown; frame No. 2 temporally follows frame No. 1. Frame No. 2 is located slightly to the right of frame No. 1 in the anatomy by manual movement of the transducer by the sonographer. Thus a new scan line is added to frame No. 2. Scan line No. 3 in the new frame corresponds to scan line No. 2 in the previous frame. A spatial correlation process in the image processor identifies the equality of these two scan lines. Frame No. 2 then is slid to the left over the top of frame No. 1 so that the identical scan lines in the two frames overlap.

Figure 14G.The new scan line thus is added properly to the old frame. This process is repeated many times as the transducer is moved in a direction parallel to the scan plane. The old scan lines are retained as the new ones are added to the image.


Spatial Compounding

Spatial compounding is a technique in which scan lines are directed in multiple directions by phasing so that structures are interrogated more than once by the ultrasound beam (Figure 15). Averaging sequential frames spatially, up to nine typically, improves the quality of the image in several ways:

  • As in persistence (which is temporal averaging), speckle is reduced.
  • Clutter caused by artifacts is reduced.
  • Smooth (specular) surfaces are presented more completely because they are interrogated at more than one angle, increasing the probability that close to 90-degree incidence is achieved (which is necessary to receive echoes from them).
  • Structures previously hidden beneath highly attenuating objects can be visualized.


Figure 15A. Conventional scan lines and spatial compounding with linear array.

Figure 15B. Conventional scan lines and spatial compounding with convex array.

Figure 15C. A comparison of conventional imaging with compound imaging E.

Figure 15D. A comparison of conventional imaging with compound imaging F.

Figure 15E. Compound imaging shows improvement in image quality.

Figure 15F. Compound imaging shows improvement in image quality.



For several years, an ultrasound imaging mode termed elastography has been studied. It has now become available commercially. By subjecting tissues to a small push (using a push on the transducer by the sonographer or using a high-amplitude ultrasound pulse) and then tracking the movement of the tissues, it is possible to estimate and depict tissue stiffness (since soft tissues will move more than hard ones). Essentially, elastography is the imaging version of palpation. It is commonly shown as a color overlay on top of the gray-scale image (Figure 16) and has been used clinically for cancer detection and characterization of small parts (breast, thyroid and prostate), for assessing the viability of the myocardium and for monitoring therapies that alter tissue composition such as ablation procedures.


Figure 16A. Large hypoechoic prostate tumor depicted in gray-scale.

Figure 16B. The same tumor shown in elastography mode with red colors signifying soft tissues and blue colors signifying hard tissue. The designation as "soft" and "hard" are relative to the maximum stiffness found in the image. Notice the soft edges of the gland and the harder tumor.


Volume Imaging

Volume imaging is accomplished by acquiring many parallel two-dimensional (2D - slice imaging) scans (Figure 17, A) and then processing this 3D volume of echo information in appropriate ways for presentation on 2D displays. The multiple 2D frames are obtained by (1) manual scanning of the transducer, with position-sensing devices keeping track of scan-plane location and orientation, (2) automated mechanically scanned transducers, or (3) electronic scanning with 2D element-array transducers. Common ways of presenting the 3D echo data include surface renderings (Figure 17, B), 2D slices through the 3D volume, and transparent views. The advantage of the 2D slice presentation is that image-plane orientations can be presented that are impossible to obtain with conventional 2D scanning. Serial slice presentations like those in other imaging modes (MR and CT) can be presented (Figure 17, C-H). Surface renderings are popular in obstetric imaging.

Figure 17. Three-dimensional sonographic images.


Figure 17A. Three-dimensional echo data are acquired by obtaining many parallel two-dimensional sections of echo information from the imaged anatomy yielding

Figure 17B. a three-dimensional fetal surface-rendered image.

Figure 17C. Presentation of volume imaging for abdominal.

Figure 17D. Presentation of volume imaging for breast.

Figure 17E. Presentation of volume imaging for neonatal head.

Figure 17F. Presentation of volume imaging for OB/GYN.

Figure 17G. Presentation of volume imaging for testicular.

Figure 17H. Presentation of volume imaging for vascular cases.

Figure 17I. The freeze button (arrow) stops scanning and saves the last several image frames in image memory.


Three-dimensional images can be acquired at rates of up to 30 volumes per second and thus are considered "live" or real-time presentations. The current tendency is to call this "4D imaging" where the fourth dimension is time. Although this term sounds fashionable for marketing purposes, it is inconsistent with previous terminology; that is, real-time 2D imaging is not called 3D. Nevertheless, the moniker has, to some extent, caught on.

More examples of presentation modes for volume imaging are shown in Figure 18

Figure 18. Various post-processing choices for presenting three-dimensional images.


Figure 18A. Three-dimensional surface rendering, Cardiac image.

Figure 18B. Three-dimensional surface rendering,Fetus holding nose

Figure 18C. Three-dimensional surface rendering,Fetal head and hands

Figure 18D. Three orthogonal two-dimensional slices through the three-dimensional liver echo volume.

Figure 18E. Transparent (x-ray) mode. E, All echoes in the volume can be included, as in this image of the prostate,

Figure 18F. Transparent (x-ray) mode,only the strongest ones

Figure 18G. Transparent (x-ray) mode,only the strongest ones


Finally, miniaturization is making sonography more accessible for "point-of-care" application and further distribution throughout medical practice for diagnostic imaging (Figures 19 and 20).


Figure 19. Portable hand-held sonographic instrument.

Figure 20. Portable pocket sonographic instrument.


Figures are from Reference 1 by permission.

Reference 1. Kremkau, FW: Sonography Principles and Instruments, 9th Edition, Elsevier/Saunders, 2016.

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Elizabeth A. Shaughnessy RDMS, Oshawa, Ontario, Canada